Another Little Piece

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Another Little Piece by Kate Karyus Quinn

On a cool autumn night, Annaliese Rose Gordon stumbled out of the woods and into a high school party. She was screaming. Drenched in blood. Then she vanished.

A year later, Annaliese is found wandering down a road hundreds of miles away. She doesn't know who she is. She doesn't know how she got there. She only knows one thing: She is not the real Annaliese Rose Gordon.

Now Annaliese is haunted by strange visions and broken memories. Memories of a reckless, desperate wish . . . a bloody razor . . . and the faces of other girls who disappeared. Piece by piece, Annaliese's fractured memories come together to reveal a violent, endless cycle that she will never escape—unless she can unlock the twisted secrets of her past. -Plot summary borrowed from Goodreads

This one is not for the faint of heart. It's dark and scary, and slightly confusing in a way that ends up being more disorienting and creepy than seeming like a flaw. The horror is given weight by family trauma, and the guilt Annaliese feels. Secondary characters are well-developed and complex, and the plot will keep you guessing until the bloody end. Quinn doesn't back down from grotesque horror or realistic high school issues. If you're a fan of intense horror and psychological drama, check this one out. If you can't handle something like Hannibal you might want to give this a pass.

Highly recommended for some last minute Halloween scares.

The Ghost Bride

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The Ghost Bride by Yangsze Choo

"One evening, my father asked me if I would like to become a ghost bride..."

Though ruled by British overlords, the Chinese of colonial Malaya still cling to ancient customs. And in the sleepy port town of Malacca, ghosts and superstitions abound.

Li Lan, the daughter of a genteel but bankrupt family, has few prospects. But fate intervenes when she receives an unusual proposal from the wealthy and powerful Lim family. They want her to become a ghost bride for the family's only son, who recently died under mysterious circumstances. Rarely practiced, a traditional ghost marriage is used to placate a restless spirit. Such a union would guarantee Li Lan a home for the rest of her days, but at a terrible price.

After an ominous visit to the opulent Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also by her desire for the Lim's handsome new heir, Tian Bai. Night after night, she is drawn into the shadowy parallel world of the Chinese afterlife, with its ghost cities, paper funeral offerings, vengeful spirits and monstrous bureaucracy—including the mysterious Er Lang, a charming but unpredictable guardian spirit. Li Lan must uncover the Lim family's darkest secrets—and the truth about her own family—before she is trapped in this ghostly world forever. -Plot summary borrowed from Goodreads

Title? Sold. Cover? Double sold. Summary, setting, premise? I needed this book two days before I'd even heard of it. I was immediately hooked, and once I got my grabby little hands on it, I tore through it in two days. 

Almost everything about this book worked for me. Choo offers so many cultural and historical details that were entirely new to me, and most of them fit seamlessly into an engaging plot. I loved learning more about the historical dress, diet, and history of late 19th century Malaya (Malaysia), and that was before I got to the rich superstitions and folklore. This was all to the good because although the plot is engaging, it is not quick. You really have to want to wander the streets of this port city with Li Lan and her Amah, to visit with the fortune teller, explore the market place, get lost in the afterlife, and be haunted by a variety of spirits. Luckily that's pretty much all I wanted to do, so, no problems there. 

Besides, the pace does pick up in certain parts, especially as Li Lan unravels more of the mysteries facing her and uncovers more of her family's past, while racing to reclaim what is rightfully hers. Fans of Spirited Away or historical/magic realist novels should be excited about this one, and while most libraries will probably have it shelved with adult fiction, its young protagonist, supernatural elements, and romance will appeal to many readers of YA. 

(To get especially nerdy for a moment, I would trade a small, non-essential organ to have this adapted into a video game by Vanillaware, the company that brought us Odin Sphere and Muramasa: The Demon Blade. The combination of mythology, spirits, exploring underworlds, fighting otherworldly perils, helpful companions, and taking time out for noodles and other traditional foods makes me long for an RPG adaptation in the WORST way)

The Art of Wishing

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The Art of Wishing by Lindsay Ribar

He can grant her wishes, but only she can save his life.

Margo McKenna has a plan for just about everything, from landing the lead in her high school play to getting into a good college. So when she finds herself in possession of a genie's ring and the chance to make three wishes, she doesn't know what to do. Why should she put her life into someone else's hands?

But Oliver is more than just a genie -- he's also a sophomore at Margo's high school, and he's on the run from a murderer. As he and Margo grow closer, she discovers that it will take more than three wishes to save him.

A whole lot more. -Plot summary borrowed from Goodreads

I was a little hesitant about this book. Maybe because so much of the action happens at the high school, and I don't usually go for realistic fiction. Maybe because I wasn't all that interested in genies, and it seemed like the genie/master relationship could very easily go off the squicky rails- actually, let's be honest, that's most of the reason why this book appealed to me in the first place. I wanted to look at paranormal romance from a different perspective, and to see if the author would deal with the iffy consent issues inherent in a relationship where one person is forced to grant the other's wishes. Also, that cover is pretty irresistible. 

And guess what? I loved it. Ribar does handle those issues, albeit with a light touch. The best part was that Margo's relationship with Oliver doesn't dominate the plot, or her attention. She's at least as focused on doing well in the school play, writing music, and trying to repair her relationship with her mother. Bonus- Margo is a massive Neko Case fan, which endeared her (and Ribar) to me immediately. 

After slogging through other paranormal angst and fluff, The Art of Wishing is a welcome breath of fresh air, enlivened by excellent secondary characters, a few surprises, a winning romance, and plenty of Aladdin references.

In Defense of Strong Female Characters- And Their Fans

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“I want [female characters] to be allowed to be weak and strong and happy and sad – human, basically. The fallacy in Hollywood is that if you’re making a ‘feminist’ story, the woman kicks ass and wins. That’s not feminist, that’s macho. A movie about a weak, vulnerable woman can be feminist if it shows a real person that we can empathize with.” — Natalie Portman

I hate Strong Female Characters.
 
Sherlock Holmes gets to be brilliant, solitary, abrasive, Bohemian, whimsical, brave, sad, manipulative, neurotic, vain, untidy, fastidious, artistic, courteous, rude, a polymath genius. Female characters get to be Strong. - Sophia McDougall

Don't let my title confuse you, I wholeheartedly agree with both statements. If you haven't read McDougall's article, check it out now from the hyperlink. Teen media especially is suffering from an overabundance of "Strong" but simple and dull female protagonists. Even authors I like have put out books where it seems like they are far too concerned with having a strong female lead, rather than a believable, sympathetic, or realistic one. I'm all for girls kicking ass and copping 'tude, but a gun and some snark do not add up to a personality. (For an instance where this does work because the author has added other layers, check out Paranormalcy's Evie, who rocks her job as a paranormal investigator while toting a sparkly pink taser and worrying about missing her favorite teen dramas). In the name of Joss, yes, bring on the complex women, strength be damned.

HOWEVER. I heard something really interesting at the Kill or Be Killed: Crafting a Powerful Female Protagonist panel at NYCC this weekend. A fan asked the authors how they go about crafting a strong female character. This resulted in a discussion about strength, and how it doesn't have to be physical, it can be moral, emotional, etc. The moderator, Thea James, referenced McDougall's article, and some time was spent discussing the variety of women we have on TV these days (one author professed her love for Breaking Bad's Lydia). Finally, Lauren Oliver, author of the Delirium series, spoke up to defend the idea of strong women. Put simply, it is still extremely empowering for girls and women to see characters like Ripley from Alien or Sarah Connor from Terminator 2 kicking ass and taking names. 

Ideally we'd live in a world where we didn't need to be conscious of specific female empowerment- everyone would already be equal. Until we get there though, we shouldn't be writing off these characters, just mindful that variety and complexity are also needed.

Happily there are works with great balances of gender roles, and with racial diversity as well (Sleepy Hollow and Lieutenant Abbie Mills for the win). I haven't watched Person of Interest, but after seeing their panel I will definitely be checking it out. They opened with a video sequence in which one of their police officer characters, who happens to be both female and black, took down a crooked cop to thunderous applause from the audience. I don't know about the entire cast, but just on the panel were two other prominent female actors, including Amy Acker who plays an offbeat computer scientist. Check out my video of Taraji P. Henson answering a fan question about the diverse roles for women on the show:

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FIRE & HEIST by Sarah Beth Durst

Rating: A- Release Date: 12/4/2018 Synopsis: In Sky Hawkins's family, leading your first heist is a major milestone--even more so than l...

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