Somewhere Beneath Those Waves

Somewhere Beneath Those Waves by Sarah Monette

The first non-themed collection of critically acclaimed author Sarah Monette''s best short fiction. To paraphrase Hugo-award winner Elizabeth Bear's introduction: '"onette's prose is lapidary, her ideas are fantastical and chilling. She has studied the craft of fantastic fiction from the pens of masters and mistresses of the genre. She is a poet of the awkward and the uncertain, exalter of the outcast, the outre, and the downright weird. There is nothing else quite like Sarah Monette's fiction." -Plot summary borrowed from Goodreads

Ok, so this isn't YA. I was getting desperate for another post, and I know there are people who may read this blog occasionally who would love this one. Before this one I had read The Bone Key, her collection of short stories about Kyle Murchison Booth, a sort of supernatural detective. She really captured the feel of Lovecraft's horror in some of those stories, without getting bogged down in the prose or offering faceless narrators. She also has the detective story thing down, and I'd love to see a Mystery! production of Booth's stories, in the same vein as Miss Marple or Poirot. 

Both these points, while true, don't do any justice to Monette's own voice as an author, which is distinct, memorable, and masterful. These stories will creep up on you- the language is evocative and conjures up images that will stick with you. The other thing that sets Monette apart, and that many other reviewers have commented on, is the feeling of Otherness embodied by most of her narrators. Her protagonists are, for the most part, outsiders, people who find themselves treading boundaries. To call them quirky would be an insult- they aren't stock characters with a twist, or exploding with irritating eccentricities. They are three-dimensional people, drawn believably but with surprisingly few strokes. Some, like the cops in "A Night in Electric Squidland" and "Impostors," and the aforementioned Booth, are recurring characters. Others, like the courtesan/spy from "Amante Doree" or the heartbroken musician from "Katabasis: Seraphic Trains" (possibly my favorite story), you'll only see for a few brief pages but are unlikely to forget. 

I'd recommend this, and The Bone Key, for fans of Neil Gaiman, Margo Lanagan, Charles DeLint, Catherynne M. Valente (the Seraphic Trains story really reminded me of Palimpsest), Lovecraft, Hellboy, Supernatural (not only are there paranormal cop buddies, there's a naive but tetchy angel), urban fantasy, horror, and magic realism. 

*A caveat: some of these stories are extremely dark, and not just in the sense that they deal with supernatural beings and gothic situations ("The Séance at Chisholm End" is a fantastic period piece about spirit mediums). No, some of these stories deal openly with some heavy stuff, like the loss of an older brother to Vietnam ("Letters from a Teddy Bear on Veterans Day"), surviving conquest ("A Light in Troy") and trauma ("After the Dragon"), and the horrors of war ("No Man's Land"). Serious trigger warnings for these, especially the last.   

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Ask the Passengers

Ask the Passengers by A.S. King

Astrid Jones desperately wants to confide in someone, but her mother's pushiness and her father's lack of interest tell her they're the last people she can trust. Instead, Astrid spends hours lying on the backyard picnic table watching airplanes fly overhead. She doesn't know the passengers inside, but they're the only people who won't judge her when she asks them her most personal questions . . . like what it means that she's falling in love with a girl.

As her secret relationship becomes more intense and her friends demand answers, Astrid has nowhere left to turn. She can't share the truth with anyone except the people at thirty thousand feet, and they don't even know she's there. But little does Astrid know just how much even the tiniest connection will affect these strangers' lives--and her own--for the better. -Plot summary borrowed from Goodreads

I was all set to love this book, and for the first few chapters I did. It is a mostly uplifting read, and it does have a lot going for it, but ultimately I think it is flawed, and just not what it could have been. Let's break it down by pros and cons. 

Pros
-It's compelling. I read it in one day, completely buying into Astrid's story and narrative voice.
-The tone is well-balanced, moving believably from tense, emotional drama to humor to pathos and back again
-King addressed bullying, specifically of GLBTQ teens, in very direct terms. Truly awful, hateful things are said to/about Astrid and her friends, and King does a good job of showing what happens when people turn a blind eye to such reprehensible behavior. Also, bonus points for showing that teachers can be at least as gossipy and negative as their students.
-Astrid's inner conflict, questions and development ring true, and she gets major props from me for standing up for herself in the face of pressure and prejudice
-There is an emphasis on the need people have for respect, privacy, and space. Bonus points for King emphasizing that gay relationships are no different from straight relationships, and that it is problematic for people to assume it's all about sex
-I liked the idea of Astrid "sending love" to plane passengers, and their vignettes served to give the story a sort of all ages appeal, and to remind readers that everyone has their own unique set of emotional challenges, no matter their age, gender, background or circumstances
-Astrid's family is complicated, flawed, and fascinating. There are dynamics here I've seen in real families, and watching the four of them interact with each other was one of the most interesting things about the book.

That all sounds great, yeah? And those parts are. Unfortunately, the book has some issues that detract from all that a bit.

Cons
-Several relationships are problematic to me. Astrid's girlfriend Dee pressures her to move more quickly than Astrid is comfortable with- and Astrid does speak up. All well and good. But Astrid goes from feeling uncomfortable with this and unsure if she really likes Dee to being madly in love. Umm... k... Something similar happens with Astrid's friends. In one chapter it seems as though they have had a major falling out, and in the last it seems as though things are perfectly normal. 
-Astrid makes everything about her. Sure she's the main character, but even allowing for that conceit it gets old fast. Nothing is ever her fault (in her eyes), all the other characters need to take things at her speed when she says so, and god help them if they move too fast or slow for her. She can be preachy, and while she does develop in some ways (comes to terms with her own sexuality), she doesn't in others (keep an open mind, act more generously, give back). Here's an example of what I mean by missed opportunities- towards the end of the book when Astrid is resolving her baggage, she is portraying Socrates for her humanities class, going around the school and militantly debating people. Ok, great, if pushy. However, she had previously remarked that it was only "other, possibly fictional schools" that had GLBTQ clubs. I couldn't help thinking that it would have been better for her to work on starting one of these, especially since her humanities teacher, one of the only Allies she mentions, would have been the perfect faculty advisor. Maybe that's a weird quibble to have, but it would have been nice to see Astrid stepping up to help others instead of making herself feel smart. 
-Speaking of the school, and the students.... Other than Astrid and her friends, everyone seems to be a small-minded hateneck in this town. Worse, they're all decades old stereotypes. The jocks are oversexed, meat-headed bullies. The cheerleaders are superficial, snipey gossips. Where's the complexity? The acknowledgement that high school is tough all around, and that while that obviously does not excuse bullying, it goes partway toward explaining it? I'd have been much happier with some shades of grey, some discussion of why kids lash out at each other, and what can be done to improve things. Instead we get Astrid deciding to tune out the unpleasantness, without any change or growth.


Overall this was an absorbing read with plenty of realistic teen angst and some moving relationships, but it's weighed down by stereotypes and missed opportunities. I think Emily M. Danforth did a far better and more nuanced job of portraying a girl in a conservative small town questioning her sexuality in The Miseducation of Cameron Post, and for a better look at issues of high school cliques and bullying I'd recommend Before I Fall and The Geeks Shall Inherit the Earth.

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The Miseducation of Cameron Post

The Miseducation of Cameron Post by Emily M. Danforth

When Cameron Post's parents die suddenly in a car crash, her shocking first thought is relief. Relief they'll never know that, hours earlier, she had been kissing a girl.

But that relief doesn't last, and Cam is soon forced to move in with her conservative aunt Ruth and her well-intentioned but hopelessly old-fashioned grandmother. She knows that from this point on, her life will forever be different. Survival in Miles City, Montana, means blending in and leaving well enough alone (as her grandmother might say), and Cam becomes an expert at both.

Then Coley Taylor moves to town. Beautiful, pickup-driving Coley is a perfect cowgirl with the perfect boyfriend to match. She and Cam forge an unexpected and intense friendship--one that seems to leave room for something more to emerge. But just as that starts to seem like a real possibility, ultrareligious Aunt Ruth takes drastic action to "fix" her niece, bringing Cam face-to-face with the cost of denying her true self--even if she's not exactly sure who that is. -Plot summary borrowed from Goodreads

Wow. Just, wow. This book was amazing. I had been in kind of a slump with YA books, feeling like too many of them were too fluffy and sweet and just not very authentic. This book was a welcome reminder that teen literature, at is best, is often brutally, scarily honest and pulls no punches. Cameron is 100% believable and while this fairly long book depends almost entirely on inner character development, it still grabs ahold of you and won't let you put it down. For anyone who is having/ had a tough time as a teen (so, basically, everyone ever), there are many aspects of this book that will ring true.

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YA Authors Told to "Straighten" Gay Characters by Agent

Apparently I should be reading Rose Fox's work over at Publishers Weekly more often, because she keeps coming out with really interesting articles. This time she's using her column to relate the difficulty YA authors Rachel Manija Brown and Sherwood Smith encountered when their (unnamed) literary agent attempted to force them to alter a gay character's orientation in their upcoming post-apocalyptic YA novel. In their own words:

"Our novel, Stranger, has five viewpoint characters; one, Yuki Nakamura, is gay and has a boyfriend. Yuki’s romance, like the heterosexual ones in the novel, involves nothing more explicit than kissing.

An agent from a major agency, one which represents a bestselling YA novel in the same genre as ours, called us.

The agent offered to sign us on the condition that we make the gay character straight, or else remove his viewpoint and all references to his sexual orientation.

Rachel replied, “Making a gay character straight is a line in the sand which I will not cross. That is a moral issue. I work with teenagers, and some of them are gay. They never get to read fantasy novels where people like them are the heroes, and that’s not right.”

The agent suggested that perhaps, if the book was very popular and sequels were demanded, Yuki could be revealed to be gay in later books, when readers were already invested in the series.

We knew this was a pie-in-the-sky offer—who knew if there would even be sequels?—and didn’t solve the moral issue. When you refuse to allow major characters in YA novels to be gay, you are telling gay teenagers that they are so utterly horrible that people like them can’t even be allowed to exist in fiction.

LGBTQ teenagers already get told this. They are four times more likely than straight teenagers to attempt suicide. We’re not saying that the absence of LGBTQ teens in YA sf and fantasy novels is the reason for that. But it’s part of the overall social prejudice that does cause that killing despair.

We wrote this novel so that the teenagers we know—some of whom are gay, and many of whom are not white—would be able, for once, to read a fun post-apocalyptic adventure in which they are the heroes. And we were told that such a thing could not be allowed.

After we thanked the agent for their time, declined the offer, and hung up, Sherwood broke the silence. “Do you think the agent missed that Becky and Brisa [supporting characters] are a couple, too? Do they ever actually kiss on-page? No? I’M ADDING A LESBIAN KISS NOW!” "

You can read the full article over at the PW website.

This is just really sad. I'm used to hearing about religious groups or parents complaining about content in books, and I've read about librarians censoring materials when making ordering decisions, but I never really considered how much censorship can (and apparently does) happen so close to the source: the publishing companies. This makes me wonder how many books that have been altered by authors willing to make concessions to their works to get them published. Then again, I know tons of authors who are anti-censorship advocates, so it's hopefully really rare that an author caves.

What do you think?

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Ash

Ash is a teenage girl whose loving father has died, leaving her alone with her cruel and violent stepmother. Ash's sole source of comfort is reading fairy tales by the dying light of the fire in her room each night. Ash dreams that, one day, fairies might find her and spirit her away to their world where all her wishes will come true. One night, the mysterious and sinister fairy prince Sidhean finds Ash and begins to prepare her to enter fairyland. But shortly thereafter, Ash meets Kaisa—a noblewoman and the King's Huntress. Ash and Kaisa not only form an immediate and deep friendship, but Ash begins to fall in love with the beautiful, strong woman. Ash's feelings seem be reciprocated but Sidhean returns to claim what he says is rightfully his due, and a battle for Ash's body and soul will push Ash to the brink. -Plot summary borrowed from Amazon

I really loved this book. As a fairytale retelling it was in some ways only loosely based on the original- despite the frame of a girl orphaned and "cared for" by her stepmother and a ball scene, this is a very original novel with plenty of welcome plot/character additions. At the same time, there were bits and piences that were straight from original tellings of Cinderella. For instance, Ash finds solace sleeping at her mother's gravesite, recalling the Grimm's "The Juniper Tree."

Overall I really enjoyed this book. The world building was solidly done, dialogue was believable, and I found myself really caring about not only Ash but her relationships with Sidhean and Kaisa. If you enjoyed other fairly lighltly romantic fairytale re-tellings like Juliet Marillier's Wildwood Dancing or Jessica Day George's Princess of the Midnight Ball, you might enjoy Ash.

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