THE GLASS BUTTERFLY by A.G. Howard

Title: THE GLASS BUTTERFLY (Haunted Hearts Legacy #3)

Author: A.G. Howard

Pub. Date: August 15, 2018

Publisher: Golden Orb Press

Formats: Paperback, eBook

Pages: 278

Find it: Goodreads, Amazon

All other formats and vendors will be available on the official launch date: August 15, 2018

For close to a decade, twenty-five-year-old Felicity Lonsdale has masqueraded as a dowager almost twice her age—selling caterpillars to butterfly consortiums—enabling her to hide an ill-fated past while raising her late brother’s daughters. Together, the three live on an isolated Irish estate bequeathed by a dying earl. When the earl’s estranged son arrives to claim his inheritance by threatening to expose Felicity’s true identity, she longs to pack up her nieces and run. But a ghostly secret within the castle’s turret holds her captive. 

Nick Thornton—a Roma viscount’s heir—is also captive. After a tryst with an investor’s wife nearly destroyed his family’s holiday resort, Nick forsook everything to elope with her. However, a tragic mistake at his hand led to her and his baby’s deaths. Refusing to turn to the family he shamed, Nick travels to seek the countess who once co-wrote a romance with his sister. There’s rumor of a special butterfly in her keep—a transparent-winged species with ties to the afterlife. Nick hopes to contact his dead wife and child, for only their forgiveness can free him. 

Upon his arrival to Felicity’s estate, Nick offers to help her defeat the earl’s son, on the condition she allow Nick to investigate her glass butterflies. Felicity agrees, though fears the closer he gets to the ghosts of his past, the closer he’ll come to uncovering her own. As Nick spends time with Felicity and her nieces, he realizes the mystery enshrouding this fragile countess and her castle is more intriguing than the ghosts he originally came to find. And perhaps putting his dead to rest and helping her do the same will be his true path to redemption.

My review:

Rating: A-

My thoughts on the book:

When I saw that The Glass Butterfly was a book by A.G. Howard, I jumped at the chance to review it. Howard is a fantastic author, and I love her Splintered series. When I requested this book for review, I wasn't aware it was the third in a series. It read as a standalone, so I actually didn't know it was a part of a series until I started working on this review. I want to read the other two books, now that I know that there are more novels in this series, and I'm confident that they will read like standalone novels as well. 

This novel was very different from Howard's Splintered series in most ways, but one thing was very similar. The obsession with butterflies throughout the book reminded me of Splintered and Alyssa's hangup with bugs. However, that is where the similarities end. The main characters in this novel are adults, and they have very different goals and personalities than anyone in the Splintered series. The story and world are extremely well-developed, especially with this being the third book in the series. I didn't feel lost at all. The plot was extremely intriguing and kept me reading into the early morning. 

The two main characters, Nick and Felicity, are well-developed and extremely complex. I love how their stories unraveled throughout the narrative instead of just having one major info dump at the beginning. Their secrets were slowly revealed to each other and to the reader, and that seemed much more organic. Neither character is perfect, and while they have a past connection, neither character has a "good" past. They are both broken in many ways, and I really appreciated that about them. The secondary characters were also well-developed, and I really loved Felicity's two nieces. 

The writing for this book was beautiful, of course. I've come to expect nothing less from Howard. The world-building was fantastic, and the descriptions were wonderful. The pacing of the story was perfect, and there was enough mystery to keep me guessing throughout the entire novel. The characters' growth throughout the book was also really great to watch. The romance between Nick and Felicity is natural and progresses at a normal speed. They have a great chemistry. My only problem with this book is that it felt like Howard was trying to use Jane Austen's free indirect discourse, where the third person limited narrator skips between characters to allow for a range of thoughts to be shown to the reader, but it didn't work out. There was no separation between Felicity and Nick, as far as narrative voice went, and it got confusing from time to time. I couldn't figure out whose thoughts I was privy to, which pulled me out of the story. Aside from that, the book was amazing, and the ending was lovely.

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Night of Cake and Puppets

Night of Cake and Puppets by Laini Taylor

In Night of Cake & Puppets, Taylor brings to life a night only hinted at in the Daughter of Smoke & Bone trilogy—the magical first date of fan-favorites Zuzana and Mik. Told in alternating perspectives, it’s the perfect love story for fans of the series and new readers alike. Petite though she may be, Zuzana is not known for timidity. Her best friend, Karou, calls her “rabid fairy,” her “voodoo eyes” are said to freeze blood, and even her older brother fears her wrath. But when it comes to the simple matter of talking to Mik, or “Violin Boy,” her courage deserts her. Now, enough is enough. Zuzana is determined to meet him, and she has a fistful of magic and a plan. It’s a wonderfully elaborate treasure hunt of a plan that will take Mik all over Prague on a cold winter’s night before finally leading him to the treasure: herself! Violin Boy’s not going to know what hit him. -Plot summary borrowed from Goodreads

I haven't been completely won over by ebooks. Don't get me wrong, I'm far from a hater. Plenty of friends have told me they read more since getting an ereader, and that is fantastic. I love that people can access hundreds of thousands of books from nearly anywhere in the world, instantly. Hell, I used my Nook a lot when traveling this year, especially while waiting in lines at NYCC. Still, I haven't made the switch to electronic books and never will. BUT!

There's something really, really cool happening because of ebooks. Authors are releasing short stories, novellas, and assorted material that, for whatever reason, isn't to be found in their printed books. This story, for example, happens during the events of Daughter of Smoke and Bone. It doesn't have any business in that novel though, as it's from the perspective of a character other than the protagonist, has a very different tone, and would detract from the narrative flow of DoSaB. Instead of trying to shoehorn it in, or never write it in the first place, Taylor has provided this magical story in a completely independent format. Yay! 

I'm really impressed that this story manages to be sweet and magical and romantic without ever seeming trite or saccharine. Zuzana, Karou's "rabid fairy" friend is far too cool for such twee, Hallmark nonsense. Instead, we're treated to more trips down the crooked streets of Prague, along its twisty rivers and between medieval buildings. We get to revisit the Poison Kitchen, with its gas masks, coffins, and sugar bowls labelled "Arsenic." Best of all, we get some romantic tropes turned on their heads and a peek inside Zuzana's slightly mad, puppet-infested brain while she sets out to win the heart of "Violin Boy."

It's a joy to read, especially at this time of year and while waiting (im)patiently for the third book in Taylor's phenomenal series. If you loved Daughter of Smoke and Bone, go ahead and spend the $3 to buy this novella. You won't regret it.

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Untold

Untold by Sarah Rees Brennan

It’s time to choose sides… On the surface, Sorry-in-the-Vale is a sleepy English town. But Kami Glass knows the truth. Sorry-in-the-Vale is full of magic. In the old days, the Lynburn family ruled with fear, terrifying the people into submission in order to kill for blood and power. Now the Lynburns are back, and Rob Lynburn is gathering sorcerers so that the town can return to the old ways.

But Rob and his followers aren’t the only sorcerers in town. A decision must be made: pay the blood sacrifice, or fight. For Kami, this means more than just choosing between good and evil. With her link to Jared Lynburn severed, she’s now free to love anyone she chooses. But who should that be? -Plot summary borrowed from Goodreads

There's so much to love in these books. I've already raved about Kami's family and friends, and how competent and fun she is as a protagonist (parallels may have been made to Veronica Mars). This sequel offers more of the same, with more complex relationships, an expanded cast of characters, a darker, more menacing tone, and of course, more romantic entanglements. Add to that the allure of a small, mysterious village in the days leading up to the winter solstice and you have one atmospheric read. 

Highly recommended, but definitely be sure to read the first installment before facing up to some original worldbuilding and a diverse cast of characters.

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Sleepy Hollow

Any regular or even occasional reader of this blog could probably come up with some of my favorite shows (Buffy the Vampire Slayer, Veronica Mars, Community), but aside from the odd name drop or reference, I've never reviewed a show on here.

Until now. *dramatic music*

Why now, you ask? Because now there is a little show called Sleepy Hollow and it is INSANE and I can't stop talking about it. Here are some reasons why.

The Plot
Well, ok, actually the plot is the thing that made me initially want to stay far, far away from Sleepy Hollow. Time-travelling Ichabod Crane solving crimes in the 21st century? Puh-lease. Actually though, it's shaping up to be a pretty great supernatural series, with some "freak of the week" monsters, as well as season/series long arcs. The horror parts are actually kind of terrifying, and even the ridiculous elements are so fun you'll probably just enjoy the ride.

The Setting
Small historic city with loads of colonial buildings, twisty rivers, and misty woods? Um, yeah, I'm there.

The Characters
Like the better Supernatural (see what I did there?) shows, this isn't all about wacky hijinks and mysterious beasties. It's about the relationships between the characters. Lieutenant Abbie Mills is a skeptic, and not just because there needs to be one on a show like this. She's a skeptic because she and her sister witnessed something as kids that caused massive fallout for them that they are both still struggling with. Ichabod Crane doesn't just have to cope with automatic doors and a 10% levy on baked goods ("insane!"). He's been awakened in a time not his own, one in which his wife has been dead for 200+ years and he has no one to turn to. The chemistry that these two have is amazing, which brings me to... 

The Cast
I love this cast. Even when the show is at its craziest, the actors do an amazing job of injecting gravitas, emotion and humor. Watching them interact is one of the best things about the show, and while it's not overdone, watching Mills try to translate modern quirks for Ichabod is so fun.

A lot has been made of the diversity of the cast, and rightly so. There are several main characters who happen to be POC, and guests stars of various backgrounds have been introduced as well (with mixed results, the Native American episode was a little off). Orlando Jones, who plays Mills' commanding officer (police chief? detective inspector? no hang on...) has promised more and better to come, so here's hoping this trend will continue.

Tom Mison. Tall. Dark. British. His voice nearly knocked me off my chair the first time I heard it, and he's forever doing things that, having been brought up on a steady diet of English costume dramas, make me swoon. He shoots with his arm behind his back. He dashes about in an excellent (if worse for wear) coat. He pronounces "Lieutenant" "Leftenant" and makes use of their extreme and wonderful height difference to hold up police tape for his partner. Also he speaks Middle English and has the best bitchface this side of the Winchesters. Move over Hornblower, I've got a new 18th century man.

The Fandom
This is the first time I've been part of a fandom from the start and it is a blast. Thanks to tumblr, I can see other fans reactions to episodes, share gif sets, art and fic from moments that happened hours before, and geek out about Tom Mison's overly expressive eyebrows to my heart's content. And it's not only the fans. The creators and cast are in on it too, especially the amazingly lovely Orlando Jones. He live tweets episodes, refers to fans lovingly as Sleepy Heads, shares fan art, teases future episodes, acknowledges and praises fan participation with the show, and ships IchAbbie as much as any of us- with the occasional nod to IchaTrina. Be still my nerd heart.

Speaking of shippers... Ship wars can often be the worst part of a fandom, as people take sites, bitterly defend their own OTPs, and lash out at other pairings and shippers. I haven't seen any of that in the Sleepy Hollow fandom yet, which may only be because the fandom is so new, but I like to think it's because we have learned from past mistakes (the Hannibal fandom also seems pretty much free of ship wars, so hopefully this is becoming the norm). 

The Surprise
Honestly, I still can't believe how much I love this show. If you had told me 6 months ago that I would be more excited by this hunk of supernatural cheese than by the new Joss Whedon (!!!!!!!!!!!!!!!!!) show, I would have scoffed until I hurt something.

Now? I hate to say it, but other than the always charming and perfect Clark Gregg as Agent Coulson, Agents of S.H.I.E.L.D. is leaving me cold. It's making me flashback to when Dollhouse was on. I watched that religiously, afraid that if I missed one episode it would be cancelled out from under me and I would have no right to complain (obviously, this happened anyway). People would ask me if it was good, and I would pause, trying to find the will to gush, and then mumble something about the cool tech and gorgeous set pieces. But I didn't love it, and that bummed me out more than I can reasonably say. Since then I've come to appreciate Dollhouse more, and to genuinely enjoy it. Unless S.H.I.E.L.D. has a whole arsenal of surprises, though, I don't see that happening here. I want to love it, I took it for granted that I would love it, but the characters are missing some essential spark, and the Bus just looks like Serenity in ways that hurt my still broken Browncoat heart.

But Sleepy Hollow!! I don't know what else to say other than that I love it, unreservedly. The first 5 episodes are on Hulu so there is plenty of time to catch up. I hope you like it.

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The Art of Wishing

The Art of Wishing by Lindsay Ribar

He can grant her wishes, but only she can save his life.

Margo McKenna has a plan for just about everything, from landing the lead in her high school play to getting into a good college. So when she finds herself in possession of a genie's ring and the chance to make three wishes, she doesn't know what to do. Why should she put her life into someone else's hands?

But Oliver is more than just a genie -- he's also a sophomore at Margo's high school, and he's on the run from a murderer. As he and Margo grow closer, she discovers that it will take more than three wishes to save him.

A whole lot more. -Plot summary borrowed from Goodreads

I was a little hesitant about this book. Maybe because so much of the action happens at the high school, and I don't usually go for realistic fiction. Maybe because I wasn't all that interested in genies, and it seemed like the genie/master relationship could very easily go off the squicky rails- actually, let's be honest, that's most of the reason why this book appealed to me in the first place. I wanted to look at paranormal romance from a different perspective, and to see if the author would deal with the iffy consent issues inherent in a relationship where one person is forced to grant the other's wishes. Also, that cover is pretty irresistible. 

And guess what? I loved it. Ribar does handle those issues, albeit with a light touch. The best part was that Margo's relationship with Oliver doesn't dominate the plot, or her attention. She's at least as focused on doing well in the school play, writing music, and trying to repair her relationship with her mother. Bonus- Margo is a massive Neko Case fan, which endeared her (and Ribar) to me immediately. 

After slogging through other paranormal angst and fluff, The Art of Wishing is a welcome breath of fresh air, enlivened by excellent secondary characters, a few surprises, a winning romance, and plenty of Aladdin references.

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Star Cursed

Star Cursed by Jessica Spotswood

With the Brotherhood persecuting witches like never before, a divided Sisterhood desperately needs Cate to come into her Prophesied powers. And after Cate's friend Sachi is arrested for using magic, a war-thirsty Sister offers to help her find answers—if Cate is willing to endanger everyone she loves.

Cate doesn't want to be a weapon, and she doesn't want to involve her friends and Finn in the Sisterhood's schemes. But when Maura and Tess join the Sisterhood, Maura makes it clear that she'll do whatever it takes to lead the witches to victory. Even if it means sacrifices. Even if it means overthrowing Cate. Even if it means all-out war. -Plot summary borrowed from Goodreads

I've been waiting for this for a year, and that much buildup may have tarnished my enjoyment of it a bit. I loved the first installment, with its alternate 19th century New England details and seasonal flair, not to mention sisterly relationships that reminded me of Little Women, plus witches and an evil patriarchy for good measure. What's not to love? But this second entry in the series is weighed down by politicking and prophesy. Some things I loved from the first shone through, but not the romance, and Cate spent too much time dithering and not nearly enough time becoming a leader or not being manipulated. Still, the world-building is intriguing, the characters memorable, and I'll be happy to see if things pick up in the third book of the Cahill Witch Chronicles.

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Unnatural Creatures

Unnatural Creatures edited by Neil Gaiman

Unnatural Creatures is a collection of short stories about the fantastical things that exist only in our minds—collected and introduced by beloved New York Times bestselling author Neil Gaiman.

The sixteen stories gathered by Gaiman, winner of the Hugo and Nebula Awards, range from the whimsical to the terrifying. The magical creatures range from werewolves to sunbirds to beings never before classified. E. Nesbit, Diana Wynne Jones, Gahan Wilson, and other literary luminaries contribute to the anthology.

Sales of Unnatural Creatures benefit 826DC, a nonprofit organization dedicated to supporting students in their creative and expository writing, and to helping teachers inspire their students to write. -Plot summary borrowed from Goodreads

It's a good time to be a Gaiman fan. Good Omens might finally get its long awaited adaptation, and HBO is developing a multi-season American Gods Series (I'm actively restraining myself from getting too excited about my own casting choices. "Benedict is too busy, don't get your hopes up" is a new mantra). On top of that, The Ocean at the End of the Lane was better than I had expected- while Gaiman builds on themes he's been exploring his whole career, the book never feels stale and if anything, the pseudo-autobiographical elements add weight to the narrative voice. Check out Tor's excellent review here. Add to that an anthology of stories about mythical creatures and you've got one happy fantasy fan. 

For one thing, how great is the cover design? I love the sketchy antler-tentacle design, and the longer you look the more things you see. I like the font, too, and the contrasty blue text (graphic design people, feel free to weigh in here!). As for the stories themselves, well, most were good, a few were boring, and one or two I loved. Some I had read in other collections, including Gaiman's- which turned out to be one of my favorites. It's not brilliant, but it's got a good variety and plenty of shelf appeal. Plus, the proceeds go to a very cool charity!

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Queen Victoria's Book of Spells

Queen Victoria's Book of Spells: An Anthology of Gaslamp Fantasy edited by Ellen Datlow and Terri Windling

“Gaslamp Fantasy,” or historical fantasy set in a magical version of the nineteenth century, has long been popular with readers and writers alike. A number of wonderful fantasy novels, including Stardust by Neil Gaiman, Jonathan Strange and Mr Norrell by Susanna Clarke, and The Prestige by Christopher Priest, owe their inspiration to works by nineteenth-century writers ranging from Jane Austen, the Brontës, and George Meredith to Charles Dickens, Anthony Trollope, and William Morris. And, of course, the entire steampunk genre and subculture owes more than a little to literature inspired by this period.

Queen Victoria’s Book of Spells is an anthology for everyone who loves these works of neo-Victorian fiction, and wishes to explore the wide variety of ways that modern fantasists are using nineteenth-century settings, characters, and themes. These approaches stretch from Steampunk fiction to the Austen-and-Trollope inspired works that some critics call Fantasy of Manners, all of which fit under the larger umbrella of Gaslamp Fantasy. The result is eighteen stories by experts from the fantasy, horror, mainstream, and young adult fields, including both bestselling writers and exciting new talents such as Elizabeth Bear, James Blaylock, Jeffrey Ford, Ellen Kushner, Tanith Lee, Gregory Maguire, Delia Sherman, and Catherynne M. Valente, who present a bewitching vision of a nineteenth century invested (or cursed!) with magic. -Plot summary borrowed from Goodreads

Oh Datlow and Windling, how do I love thee? Let me count the ways. Your anthologies, especially The Green Man: Tales from the Mythic Forest, are astoundingly good and helped to cement my love of folklore and speculative fiction. Not only do you collect stellar stories from many of the best authors writing today, but you do so with lovely cover art and FANTASTIC essay/forewards that are enlightening and entertaining. *deep contented sigh*

Can you tell I loved this one? I love Gaslamp Fantasy anyway (Stardust is one of my favorite books of All Time), not to mention 19th century writers like Jane Austen, Charles Dickens, Sir Arthur Conan Doyle and let me just head this sentence off before it gets away from me, shall I? This is worth reading for the editors' essays at the beginning alone, but luckily several of the stories are memorable and wonderful and full of period details- and magic, of course. 

I loved Delia Sherman's "Queen Victoria's Book of Spells" (hey, isn't that the title of the book?), the story of a modern day researcher/spell detangler working his way through a previously undiscovered journal/spellbook belonging to the young queen. A story about the Great Exhibition was a little tricky to get into, but offered a tantalizing description of that spectacle. One of my favorites was about a certain author's (never named, but strongly hinted at) attempts to photograph the last nights of an unelectrified London. There was a story about Edison being a Grade A jerk (as we know he was, all hail Tesla, the true Electric King), and one about the last days of Ebeneezer Scrooge, post-Christmas miracle. There's even another story based on Pre-Raphaelite artists, as if the world knew how delighted I was with Patricia A. McKillip's "The Kelpie" from Wonders of the Invisible World and deigned to nudge another similar story my way. Bliss.

Brew some tea, put on your favorite fingerless gloves, dim the lights, and settle in.

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The Magicians

The Magicians by Lev Grossman

Quentin Coldwater is brillant but miserable. He's a senior in high school, and a certifiable genius, but he's still secretly obsessed with a series of fantasy novels he read as a kid, about the adventures of five children in a magical land called Fillory. Compared to that, anything in his real life just seems gray and colorless.

Everything changes when Quentin finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the practice of modern sorcery. He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. But something is still missing. Magic doesn't bring Quentin the happiness and adventure he though it would.

Then, after graduation, he and his friends make a stunning discovery: Fillory is real. -Plot summary borrowed from Goodreads

One of the most common quick and dirty summaries for this book is "Harry Potter with college kids." While this is a bland generalization, it's also damn accurate in that it does deal with students at a magical university, and, more to the point, was written for fantasy fans. However. This is a love it or hate it book, and if you go into it looking for the same familiar, comfortable, escapist tropes of many fantasy books, you're in for a rude awakening. 

When I say this is a book for fantasy fans, I mean that it is a book written about a character who is one. Quentin has fallen irrevocably in love with a Narnia-esque series, and has convinced himself that his real life is a pale imitation of what it could be. If only magic were real. If only he could break through the wardrobe, onto Platform 9 3/4, down the rabbbit hole. Then, oh, then he would be happy. 

(If you have never had this thought, then I'm not entirely sure what you're doing reading this blog.)

The greatness of this book is how relatable Quentin is. Even if when you want to smack him in the face for being such a self-centered whiner, it's fascinating to see someone who grew up reading about magic dealing with it. It's impossible not to wonder how you would fare at Brakebills, if you would be satisfied, or if, like Quentin, you'd have to start coping with the fact that in life, getting what you want is so often not the happy ending you were banking on. 

The story is a little bit dark, often cynical, and will challenge how you view fantasy. The magic here is that Grossman pulls all that off while reminding you why you love fantasy in the first place. He's not taking snarky jabs at a genre he doesn't care for- he's just giving you a peek behind the curtain. 

(One more note on the tone: Grossman has stated that he was depressed while reading this book, and that after treatment, is a much happier person. I am very interested to see how this affects the next books in the series)

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